![Midi editor for mpd32 mac](https://cdn-ak.f.st-hatena.com/images/fotolife/g/greathigh-power/20200126/20200126194015.jpg)
MAIN DRAWBACK OF THE OT in this setup: Slices can not be played via MIDI notes. I rather prefer to record automations, use scenes and LFO’s to control envelopes and filters (to simulate velocity) or just use default envelope settings that just sound nice.
![midi editor for mpd32 mac midi editor for mpd32 mac](http://akai-pro.jp/mpd32/images/mpd32-1.png)
The MIDI sequencer does record Hold… I don’t use this workaround, because it’s too complicated for my taste. As a workaround, however, you can use the MIDI sequencer to record notes that the OT should play. I try to not touch the OT’s knobs because they can so easily be damaged.ĭrawbacks of the OT in this setup: The internal sequencer does neither react to velocities, nor record Hold. Knobs: A set of params on the auto channel for deeper control of the currently selected track. each of the OT’s 8 tracks gets two pads for different pitches.īank C/D : chromatic playback on the auto channel.īank B: whatever else is needed, for instance, to control an external sound module via MIDI channels.įaders: 1) Filter (highpass on the first track where I always have a kick drum, lowpass on the others), 2) either Hold or Slice Number (STRT), 3) FX send.pads 1-8 as above, pads 9-16 are connected to an Akai MPX8 module (MIDI thru).pads 1-8 trigger tracks 1-8 on the OT, pads 9-16 trigger some different notes on the auto channel so that I can play melodies in the currently selected track.I use different settings for the pads in bank A: That combo is the core of my current setup!
![Midi editor for mpd32 mac](https://cdn-ak.f.st-hatena.com/images/fotolife/g/greathigh-power/20200126/20200126194015.jpg)